{"title":"Catalogues","description":"","products":[{"product_id":"piero-dorazio-textures-lumineuses","title":"Piero Dorazio. Textures Lumineuses","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art Paris. Texts by Francesca Piccolboni and Alexandra Zingone. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 143 pages, 9,6×6,8 in, French\/English, 2021.\u003c\/em\u003e\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39703498653895,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/unnamed.jpg?v=1618392405"},{"product_id":"italia-minimal","title":"ITALIA MINIMAL","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art Paris. Text by Ilaria Bignotti. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 63 pages, 9,6×6,8 in, French\/English, 2020.\u003c\/em\u003e\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39703607050439,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/Captured_ecran2021-04-14a11.39.44.png?v=1618393331"},{"product_id":"afro","title":"Afro","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art and Philip Rylands. Texts by Davide Colombo, Barbara Drudi, Anne Montfort and Philip Rylands. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations,  276 pages, \u003cmeta charset=\"utf-8\"\u003e24×30 cm, Italian\/English\/French, 2018.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCatalogue of the first retrospective of Afro Libio Basaldella, better known as Afro. The exhibition, at the Tornabuoni Art Gallery in Paris, shows works ranging from the 1930s to the 1970s. It includes a room completely dedicated to the preparatory sketches for his large fresco,The Garden of Hope, created in 1958 for the UNESCO headquarters in Paris. His link with American Abstract Expressionism was analysed in the catalogue by Barbara Drudi of the Accademia di Firenze, and thanks to the curatorship of Philip Rylands.\u003c\/p\u003e\n\u003cp\u003eAfro Libio Basaldella (Udine, 1912 – Zurich, 1976) was perhaps the most renowned member of the Friuli Avant-garde Movement, which influenced his approach towards a more Expressionist sense of painting that had always been based on traditional Venetian Colourism. In the 1940s, Afro joined the Fronte Nuovo delle Arti, and following a visit to the United States, he joined the Gruppo degli Otto, with whom he exhibited at the Venice Biennale in 1952. Although in certain aspects his style seemed similar to American Action Painting, his harmonious tonal modulation and later research into abstract shapes and forms produced intellectually sophisticated results.\u003c\/p\u003e\n\u003cp\u003ePhilip Rylands is a graduate of King’s College Cambridge, and received his PhD at Cambridge in 1981 with a thesis on the Venetian Renaissance painter, Palma il Vecchio. In 2008, he was awarded a honorary degree by the University of Art and Design of Cluj, in Romania. In 2003, with Laura Mattioli, he edited the catalogue raisonné of the Gianni Mattioli Collection, by Flavio Fergonzi, and the Peggy Guggenheim and Frederick Kiesler collections with Susan Davidson. He was the Director of the Peggy Guggenheim Collection in Venice until 2017. He lectures regularly at various universities, writes academic articles and essays, curates exhibitions and contributes to exhibition catalogues.\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39703661379783,"sku":"","price":85.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/Afro_ENG.jpg?v=1618394211"},{"product_id":"alberto-biasi","title":"Alberto Biasi","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art Paris. Introduction by Serge Lemoine. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 176 pages, 30 x 24 cm, French\/English, 2015.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAlberto Biasi is one of the major figures in Italian post-war art history. He is one of the most coherent and authoritative experts in the world in the field of Programmed Art or Kinetic Art, also referred to as Optical Art.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eForma Edizioni presents the catalogue of the exhibition on the occasion of the monographic exhibition at the Tornabuoni Art Gallery in Paris in collaboration with the artist himself and curated by Serge Lemoine (Professor emeritus at the Sorbonne and previously director of the Musée d’Orsay in Paris).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe publication presents a detailed history of Alberto Biasi’s life and work, comprehensively portrayed through the critical text by Lemoine, describing the Maestro’s life, the most important places and fundamental stages of his career, as well as his artistic evolution.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe text is enriched with images from historic archives, to introduce the complete collection of the works on show, with the addition of certain “iconic pieces” which have been milestones in the artist’s career.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA large section is dedicated to his career (biography, bibliography, solo and collective exhibitions): it enriches the book, providing in-depth analysis useful in understanding the artist and his specific artistic expression.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“[…] Alberto Biasi created a simple, direct and approachable art, structured by a positivist goal, based on the use of programmed, controlled techniques, relying on experimentation, opened to society, carrying surprise and beauty. A beautiful ideal indeed.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlberto Biasi (Padua 1937), initially began with classical studies, and then studied at the Institute of Architecture and the Superior Course of Industrial Design in Venice. At the same time, he began his career as a painter and sculptor, and in 1959, he founded the Gruppo N. Since 1959 he has focussed his artistic activity on exploring visual perception in a range of different work cycles; during each stage he has scientifically and poetically analysed certain problems linked with vision: from his initial Trame to his world renowned Torsioni, his Light Prisms and Ottico-dinamici. In 2000 Biasi drew up a summary of his previous research and created his Assemblaggi pieces, mainly diptych and triptych compositions, predominantly monochromatic with impressive plastic and coloristic effects. As well as the twelve exhibitions held with Gruppo Enne, Biasi has had over a hundred solo exhibitions and has participated in more than five hundred collective shows, including ITALIAN ZERO \u0026amp; avantgarde ‘60s at the MAMM Museum in Moscow, the XXXII and XLII Biennials in Venice, the XI Biennial in San Paolo, the X, XI and XIV Quadrennials in Rome and the most important graphics Biennials, winning a large number of prestigious awards.\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39703729144007,"sku":"","price":37.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/dc04b65d-03c0-4546-83ec-eb40eb417a08.jpg?v=1618394678"},{"product_id":"arnaldo-pomodoro","title":"Arnaldo Pomodoro","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"field_5df0bfa250fca\" class=\"type-wysiwyg  vc_sw-acf antologia-giustificata vc_sw-align-default field_5df0bfa250fca\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art Paris and Bruno Corà.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 168 pages, 9,4×11,8 in, \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eFrench\/English\/Italian, 2011.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith the publication of the volume “Arnaldo Pomodoro” Forma retraces the personality and work of the contemporary Italian sculptor with a presentation of about forty works chosen from the historical repertory of the master, which comprise the monographic exhibition curated by Bruno Corà for Tornabuoni Art in Paris.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe volume opens with an ample critical essay by Corà, which introduces to the reading of the works presented in the volume and suggests a dual reflection, not just on the value of the master’s work with regard to the fundamental aspects of his artistic expression, but also on the role played by his action in the Italian and international cultural scenario. Thanks to the precious and close collaboration with the Pomodoro Archive and the critical contribution of essayist and poet Jacqueline Risset, the volume not only aims to constitute the catalogue of the Parisian exhibition, but also to present the figure of the master through a generous critical apparatus, in its turn enriched by a vast collection of photographs of the most important episodes, places and meetings in his artistic career.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eThe volume is concluded by an ample section dedicated to biography, bibliography, filmography and a list of the collective exhibitions in which Arnaldo Pomodoro has participated until today.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743675039943,"sku":"","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/bd3fc44c-c4c4-418a-8fd6-468fa9bbe5a9.jpg?v=1618832963"},{"product_id":"bianco-italia","title":"Bianco Italia","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art Paris and Dominique Stella. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 184 pages, 9,4×11,8 in, French\/English and Italian\/English, 2013.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003c\/em\u003e\n\u003cp\u003e“Bianco Italia” is the catalogue of the new exhibition which Tornabuoni Art Gallery dedicated to the Italian avant-gardes which have explored the creation of monochromatic white works. The show united about forty works by artists who experimented with the purity of this “non-colour” in the late Fifties, and represented a true collective archive. The itinerary featured works by Vincenzo Agnetti, Alberto Biasi, Alighiero Boetti, Pier Paolo Calzolari, Enrico Castellani, Dadamaino, Lucio Fontana, Piero Manzoni, Salvatore Scarpitta, Turi Simeti, Nanda Vigo and other interpreters of Italian white.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis volume by Forma Edizioni features all the works on show in the exhibition presented by Tornabuoni Art, in addition to a number of hitherto unpublished images of the artists at work. A critical essay by Dominique Stella, curator of the catalogue and of the exhibition, introduces the section with biographies and images of the works of each of the artists included in the exhibition.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e“[…] The white line, which seemed to mark the passage toward the second half of the twentieth century, introduced a creative vibration and announced socio-politic and artistic transformations. It was in itself a symbol of a universal questioning.A generation was born, which was able to confront reality, and invented an art so powerful that it added a new dimension to creation – which, in these post-war years, was yearning for an artistic and spiritual renovation, engaged in an attempt to redefine modernity. In Manzoni’s words, a « new artistic conception », a spirit of resistance, was opposed to the triumphant materialism of the emerging consumer society. It seemed as though European idealism wished to counter-balance the cynicism of artists such as Warhol; it responded to the American Pop movement with a “Zen” attitude that the color white spectacularly embodied. ”\u003c\/p\u003e\n\u003cp\u003eDominique Stella operates as a historian of contemporary art between Italy and France. From 1993 to 1998 she was director of the Palazzo Reale in Milan, and of the exhibition of the Centro culturale Francese in Milano (1996-2002). Since its founding in 1987, she participates in the activities of the Foundation Mudima. With Clara Vega she founded the Stella \u0026amp; Vega Production company that promotes contemporary artists of international renown.\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743680708807,"sku":"","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/87130d88-b7e1-4f4f-b286-9e891215e6df.jpg?v=1618833185"},{"product_id":"alighiero-boetti","title":"Alighiero Boetti","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art London and Laura Cherubini. \u003cbr\u003e\u003cbr\u003e\u003cem\u003eB\/w and colored \u003c\/em\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eillustrations, 336 pages, 9,4×11,8 in, Italian\/English, 2016.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eThis book, presented at the exhibition dedicated to Boetti at the Tornabuoni Art Gallery in London is not only an exhibition catalogue but also a vivid portrait of the artist and his personality as well as an insight into his life history. The editor, Laura Cherubini, collected interviews, essays, and contributions from a large number of renowned artists and critics who knew Boetti well. They provide a detailed profile of the artist, his thinking, and his oeuvre.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor one special chapter, the editor obtained the precious collaboration of Hans Ulrich Obrist and some unpublished contributions dedicated to a selection of “unfinished projects”: ideas that remained trapped within drawings, prototypes, and sketches, which can be imagined through the narrative of a person who attempted to realise these works with Boetti.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs well as his writings, Hans Ulrich Obrist, art curator and director of the Serpentine Gallery in London, also gives an interview talking about his meeting with Boetti and how important and significant this encounter was for his career as curator.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis book is further enriched with an unpublished text by Agata Boetti dedicated to the experience of creating \u003cem\u003eMappe\u003c\/em\u003e, its initial idea and realisation; the volume also includes other important texts and iconographic contributions.\u003cem data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743685984455,"sku":"","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/6f1e2e86-73c0-453e-b16c-b342a3f32a57.jpg?v=1618833408"},{"product_id":"burri-painting-an-irreducible-presence","title":"Burri. Painting, an irreducible presence","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Bruno Corà, exhibition Fondazione Giorgio Cini, Venice Biennial 2019. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 9,4×11,8 in, Italian\/English, 2019.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCatalogue on the retrospective anthology organised by the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFondazione Giorgio Cini\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ededicated to Alberto Burri (Città di Castello 1915 – Nice 1995), edited by the Art Historian and President of the Fondazione Burri Bruno Corà. The project showed the successful journey to international recognition as a result of the centenary of the birth of the Umbrian artist.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe exhibition chronologically recalled Burri’s artistic career through around fifty of his works chosen from his most important series: the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCatrami \u003c\/em\u003e[Tars]\u003cem\u003e, Muffe \u003c\/em\u003e[Moulds],\u003cem\u003e \u003c\/em\u003eand the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSacchi \u003c\/em\u003e[Sacks], before arriving at the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCombustioni\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e[Combustions], \u003cem\u003eLegni \u003c\/em\u003e[Woods]\u003cem\u003e, Plastiche\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e[Plastics]\u003cem\u003e, Cretti\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e[Cracks], and the last stage of the master’s artistic research, his\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCellotex \u003c\/em\u003eseries.\u003c\/p\u003e\n\u003cp\u003eThe catalogue aims to reconstruct in its entirety the parable of one of the greatest pioneers of the new painting of the twentieth century who, through his research, addressed the crucial issue of the use of matter and its transformation into a work of art, and who is introduced in critical essays by Bruno Corà and the Director of the Institute of Art History of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFondazione Giorgio Cini\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eLuca Massimo Barbero.\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743693258951,"sku":"","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/cdd54757-5bc8-4884-9e24-0f253d1ba71a.jpg?v=1618833691"},{"product_id":"burri-plastiche","title":"Burri. Plastiche","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"field_5df0bfa250fca\" class=\"type-wysiwyg  vc_sw-acf antologia-giustificata vc_sw-align-default field_5df0bfa250fca\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art and Bruno Corà, published on the occasion of Art Basel 2018.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 136 pages, \u003cem data-mce-fragment=\"1\"\u003e11,2×12,4 in, \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eItalian \/ English, 2018.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis monography, edited by Bruno Corà and published in occasion of Art Basel 2018, presents the creation, critical analysis, and exhibition history of the\u003cem\u003e Combustioni Plastiche\u003c\/em\u003e [Plastic Combustion] by Alberto Burri. This cycle of works is an extremely composite type that spans a quarter of a century (from the first use of plastic in\u003cem\u003e Sacco 5P\u003c\/em\u003e [5P Sack] in 1953, through to the circular combustion work in\u003cem\u003e Il Viaggio \u003c\/em\u003e[The Journey] in 1979). What’s more, if you consider the fact that the series ranges from items that measure just a few centimetres across to larger works installed in places of worship (such as the choir of the church of Sion in Switzerland), as well as in stage designs for theatre performances in the 1970s, you could say that this superb series of works functions as a lens through which we can reassess Burri’s entire creative career. Historical photographs by Claudio Amendola and Ugo Mulas, newspaper articles and critical essays give a deep analysis of this extraordinary artistic production.\u003c\/p\u003e\n\u003cp\u003eAlberto Burri graduated in medicine in 1940, and while serving as a military medic during the war, he was captured by the Allies in Tunisia. He began his artistic career while he was a prisoner of war, and as a result, later abandoned medicine. Fascinated by the mixed-media experiments produced by Enrico Prampolini, and Jean Dubuffet’s research into Art Brut, he decided to focus his attention on new materials and techniques, ignoring matter and analysing the tactile aspect of pigments, interpreted through the use of dense enamel paint that gradually replaced oil paint. Following his works on canvas, Burri embarked on a stylistic challenge using artificial contemporary industrial products as well as wood, iron, natural materials used since time began, plastics, resin, and cellotext that have now become part of our everyday environment. His work was a constant battle against the dictates of the past in favour of an art form that created a clean slate eliminating the mannerist involution of abstract art.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743718359239,"sku":"","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/67502255-b50f-4d7c-aac8-b45bdf798331.jpg?v=1618833889"},{"product_id":"dadamaino","title":"Dadamaino","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art Paris. Texts by Bernard Blistène and Flaminio Gualdoni. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 178 pages, 9,8×12,2 in, French\/English, 2013. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOn the occasion of the monographic retrospective dedicated to Dadamaino by Tornabuoni Art Gallery in Paris, Forma edizioni presents the catalogue featuring all the works included in the exhibition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe introduction by Bernard Blistène contributes to outline the profile and artistic thought of this author who has gained recognition as part of the international avant-garde scene. Flaminio Gualdoni, curator of the exhibition, presents more than eighty works from the \u003cem\u003eVolumi\u003c\/em\u003e of the Fifties to works from the\u003cem\u003e Il movimento delle cose\u003c\/em\u003e series of the Eighties, grouping them in four “acts”, the Act of Azimut, the Act of the Method, the Act of the Sign and that of the Cosmos, each of which is introduced by a text which explains its significance from a conceptual point of view and explores the main historical and artistic phases associated with the life of Dadamaino.\u003c\/p\u003e\n\u003cp\u003eEmilia Edoarda Maino (1930) takes her first steps in the art world in the Fifties with the name of Dada Maino. The first \u003cem\u003eVolumes\u003c\/em\u003e date to 1958; it is a matter of canvases with one or more ovoid holes, which characterize her debut as part of the new avant-garde. In 1959 she joins the group founded by Manzoni and Castellani, gathered around the Azimut Gallery and the \u003cem\u003eAzimuth\u003c\/em\u003e magazine. Her research then passes from the \u003cem\u003eVolumi a moduli sfasati \u003c\/em\u003eto the \u003cem\u003eOggetti ottico-dinamici\u003c\/em\u003e and numerous researches on the times and modes of perception and colour. In 1975, with the L\u003cem\u003e’Inconscio razionale\u003c\/em\u003e series, Dadamaino returns to reflect on the meaning and quality of the physical act of creating a sign. The anthological exhibition held in 200 at the Museum Bochum definitely consecrates her as a primary figure of the avant-gardes. She dies in Milan on 13 April 2004.\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743737266375,"sku":"","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/862f6ffe-66d4-4f50-ab63-fe8ac4126f65.jpg?v=1618834384"},{"product_id":"francesca-pasquali","title":"Francesca Pasquali","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Arte. Texts by Ilaria Bignotti and Gino Pisapia. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 112 pages, 9,4×11,8 in, Italian\/English, 2015.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThrough experimentation and the free research of contemporary materials, Francesca Pasquali (Bologna, 1980) gives life to a kind of weaving that is everted into the environment to become almost an architectural element. The creative process is expressed in the interweaving of polymeric, natural and artificial materials, pre-established grids, from which emerge large phytomorphic, hand-woven structures. The works of Francesca Pasquali manage to capture one’s attention, beckoning all eyes to observe them with admiration and curiosity. The industrious harmony of forms should thus be classified amongst the experiential fields tied to nature, not in the sense of imitation, but as a model to be interpreted through editing.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e“The work of Francesca Pasquali is pervaded by influences deriving from biological elements present in nature, and it is born of a need to create an antithetical dualism between form and matter that hybridizes the natural and the artificial in a new figuration. […] It is as if a play on multiples and submultiples were orchestrating form and matter, as with the artist’s straws, frappe and bristles series. Pasquali immolates herself on the surface of the work, offering her repeated and precise gesture as a testimony of a will in the making that organizes itself around the construction of form.”\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743753519303,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/e9f39fd4-fbd6-416c-97a8-b9da60c044e7.jpg?v=1618834689"},{"product_id":"giuseppe-chiari","title":"Giuseppe Chiari","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Arte and Fabio Migliorati. Introduction by Enrico Crispolti. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 448 pages, 9,4×11,8 in, Italian, 2012.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis volume is dedicated to the work of Giuseppe Chiari (1926-2010), an eclectic and experimental artist and composer from Florence, Italian promoter of the historical avant-garde of the research art. His work is here documented by a large volume published in the Art section of Forma Edizioni. This book represents an important overview of the artist’s work comprising about 900 works of half a century of production. The volume is enhanced by the critical essays of Fabio Migliorati in collaboration with Mario Chiari, the artist’s son.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“The work of Giuseppe Chiari is based on a discourse on the freedom to act (to make art), ritualized in experience, as reference to human constancy, closely linked to the social and political dimension of things, all through the performance of the work, the action of the object, in the movement which is accomplished from the musical intervention to the visual one. The artistic principle is an allegory of the pursuit of a free action, which means creativity and which is both inspired by and leading to it.” (F. Migliorati)\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743760040135,"sku":"","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/cbc00ce9-ecaa-4915-bf65-5355ce907664.jpg?v=1618834853"},{"product_id":"emilio-isgro","title":"Emilio Isgrò","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"vc_grid-item vc_clearfix vc_col-sm-4 vc_grid-item-zone-c-right vc_visible-item fadeIn animated\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"vc_grid-item-mini vc_clearfix\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"vc_gitem-zone vc_gitem-zone-c\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"vc_gitem-zone-mini\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"vc_gitem_row vc_row vc_gitem-row-position-top\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"vc_col-sm-12 vc_gitem-col vc_gitem-col-align- vc_custom_1576070578354\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"field_5df0bfa250fca\" class=\"type-wysiwyg  vc_sw-acf antologia-giustificata vc_sw-align-default field_5df0bfa250fca\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art. Text by Marco Bazzini.\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 320 pages, English\/Italian, 2017.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"field_5df0d8577a3bd\" class=\"type-link  vc_sw-acf pulsante-pubblicazioni vc_sw-align-left field_5df0d8577a3bd\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_clearfix\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_grid-item vc_clearfix vc_col-sm-4 vc_grid-item-zone-c-right vc_visible-item fadeIn animated\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"vc_grid-item-mini vc_clearfix vc_is-hover\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"vc_gitem-zone vc_gitem-zone-c\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"vc_gitem-zone-mini\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"vc_gitem_row vc_row vc_gitem-row-position-top\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"vc_col-sm-12 vc_gitem-col vc_gitem-col-align- vc_custom_1576070578354\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"vc_custom_heading vc_gitem-post-data vc_gitem-post-data-source-post_title\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743813615815,"sku":"","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/3b7d86b3-4226-44ac-8f97-f1e04ae05fa2.jpg?v=1618835646"},{"product_id":"mambor","title":"Mambor","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Arte and Federico Sardella. Texts by Federico Sardella, Sara Uboldi, Patrizia Speciale Mambor and a conversation between Gianna Mazzini e Federico Sardella. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 184 pages, 9,6×12 in, Italian\/English, 2019.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis publication retraces the stages of the career of Renato Mambor, one of the main figures in the visual arts renewal movement in Italy at the end of the 1950s. One of the most complex and versatile artists in the second half of the last century, his works belong to a border zone between visual and performing arts, open to a metalinguistic relationship between object, word, and the viewer. This book offers an extensive view of Mambor’s experimental work in general, beginning with his early work, his performance art and theatrical activities, as far as his return to painting in the 1990s.\u003c\/p\u003e\n\u003cp\u003eThe book contains a rich collection of photos of his works and a wide selection of archive images and texts by the artist; it also presents a focus on the mixture of painting, theatre and photography, proposing an exploration of the relationship between object-work-view and the performances by the artist, also in the light of the recent neuroscientific theory of Embodiment. The book also includes an interview with Gianna Mazzini, director of the recent documentary Parola chiave Mambor.\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743830065351,"sku":"","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/f4a051f4-3103-48e8-b62a-5d381329950d.jpg?v=1618835878"},{"product_id":"reading-de-chirico","title":"Reading de Chirico","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art e Katherine Robinson.\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 256 pages, 9,4×11,8 cm, Italian\/English, 2017. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe works of Giorgio de Chirico are among some of the most iconic in the panorama of 20th century Italian art, but few people are aware of the vast literary heritage left by the artist. In an unprecedented exhibition, at its London gallery, Tornabuoni Art is showing over 25 works that cover the entire career of the artist, together with original manuscripts that offer an unknown vision of Giorgio de Chirico and his artistic world. This book, edited by Katherine Robinson, documents the important exhibition through a rich collection of iconographic works, critiques written by modern masters, his contemporaries, some love letters, and also poetry. Visitors will be able to discover a totally new reading of di Chirico’s works through words written by his own hand.\u003cbr\u003eThe exhibition includes nine sections, each illustrating a different subject explored by the artist during his career: Piazzas of Italy, Metaphysical Interiors, Portraits and Self-portraits, Still life studies, Mannequins, Horses and Cavaliers, Gladiators, Mythology, and mysterious Bathers in pools.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe catalogue also proposes an important and hitherto unpublished contribution by Gavin Parkinson, Senior Lecturer at the Courtauld Institute of Art in London.\u003cbr\u003eA section of bio-bibliographic writings completes the publication.\u003c\/p\u003e\n\u003cp\u003eKatherine Robinson is an art historian, with a degree in painting from the Accademia di Belle Arti di Brera in Milan. She is a member of the Executive Committee and Board of Directors of the Giorgio and Isa de Chirico Foundation, and the scientific coordinator of the publication, “Metafisica. Quaderni della Fondazione Giorgio e Isa de Chirico”. She is a visiting professor at the Università degli Studi del Molise and has curated many important exhibitions.\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743856148679,"sku":"","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/reading-de-chirico.jpg?v=1625318143"},{"product_id":"scheggi-1966-la-biennale-di-venezia-art-basel-2015","title":"Scheggi - 1966 La Biennale di Venezia \/ Art Basel 2015","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"field_5df0bfa250fca\" class=\"type-wysiwyg  vc_sw-acf antologia-giustificata vc_sw-align-default field_5df0bfa250fca\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art and Luca Massimo Barbero, published on the occasion of Art Basel 2015.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 368 pages, 9,4×11 in, Italian\/English and French\/English, 2015.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis book, dedicated to the works of Paolo Scheggi, is presented on the occasion of the exhibition of four works by the artist for Art Basel – Basel 2015. This is the first time since the 1966 Venice Biennale that four Intersuperfici have been shown together.\u003cbr\u003eThe publication, coordinated by the Tornabuoni Art gallery, was written with the collaboration of the Paolo Scheggi Association.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLuca Massimo Barbero, senior curator of the Peggy Guggenheim Collection in Venice and head of the Association, describes and analyses the artistic and personal voyage of Paolo Scheggi, with a significant critical essay, using extraordinary images to document his relationship with other colleague\/artists of the period and to demonstrate the deep respect shown for Scheggi’s work by eminent critics such as Gillo Dorfles, Germano Celant, Nello Ponente and Umbro Apollonio.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe book is also enriched with a number of texts celebrating the artistic ferment of the period, and with images of Julio Le Parc, Lucio Fontana, Agostino Bonalumi and other leading figures of the 1966 Biennale.\u003c\/p\u003e\n\u003cp\u003ePaolo Scheggi was born in Florence in 1940 and died in Rome in 1971. Within a “long” decade (1958-1971) his research went through different fields of knowledge and different disciplines, from visual arts to architecture to fashion, from poetry to urban and theatrical performances to arrive at a conceptual and metaphysics reflection. In 1964 Carlo Belloli ascribes him among the 44 protagonisti della visualità strutturata, in 1965 he’s ascribed by Dorfles among members of the Pittura Oggetto, in the same year he joined the movement nove tendencije, and holds international contacts, especially in northern European area, where he exhibited more occasions and participated in group exhibitions Zero and Nul. He was present at the Venice Biennale in 1966, 1972, 1976, 1986, Scheggi exhibited in some of the major artistic events of the time, from Paris to Buenos Aires from New York to Hamburg, Dusseldorf to Zagreb.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743867715783,"sku":"","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/78b94cd1-2e2a-4146-b948-24e7f616b342.jpg?v=1618836450"},{"product_id":"tout-feu-tout-flamme","title":"Tout feu tout flamme","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art Paris and Daniel Abadie. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 186 pages 9,4×11,8 in, French\/English\/Italian, 2012.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOn the occasion of the exhibition “Tout feu tout flamme” at Tornabuoni Art in Paris, Forma edizioni presents a catalogue with all the works in the exhibition as well as some other unedited images that show the artists at work and are essential to understand the artists. A critical essay by Daniel Abadie, curator of the catalogue and of the exhibition introduces the different sections, dedicated to the biography and the works of each artist.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTornabuoni Art and Daniel Abadie bring together for the first time 40 of the most outstanding works of the greatest artists who used fire for their artworks.\u003cbr\u003eRather than the representation of fire it is its involvement with the artists who reveal it as a fundamental element of their creative process. This exhibition shows the different ways in which artists perceive fire, a phenomenon that has always been a fascination. The living aspect of flames, the moving play of light and shadow and the range of colours they produce, make them into cultural tools, considered a real source of inspiration for artists.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFire has no shape and is perpetually changing it allows great freedom of interpretation: from Yves Klein’s “Paintings of Fire” to Alberto Burri’s “Combustions”, Arman’s “Accumulations” and Bernard Aubertin’s “Paths of Fire”; from Jannis Kounellis’ artifice of the “flower of fire” and Christian Boltanski’s “eschatological shadows” to Pier Paolo Calzolari’s “icy burns” or Chen Zhen’s “ashes”.\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743879119047,"sku":"","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/68c395c1-a60a-4a02-941c-a68ce60068fd.jpg?v=1618836806"},{"product_id":"turi-simeti","title":"Turi Simeti","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"field_5df0bfa250fca\" class=\"type-wysiwyg  vc_sw-acf antologia-giustificata vc_sw-align-default field_5df0bfa250fca\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art Paris. Introduction by Bruno Corà.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 160 pages, 9,4×11,8 in, French\/English, 2014.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFor many years, Turi Simeti has been one of the principal figures on the contemporary artistic and exhibition scene. Over fifty works taken from his long career are collected in this publication that Forma Edizioni has dedicated to his oeuvre on the occasion of the monographic exhibition that will be held at the Tornabuoni Art gallery in Paris from October 10, 2014. A critique by Bruno Corà acts as an introduction to a selection of Turi Simeti’s works, retracing the progressive stages of his artistic development; the artist gradually detached himself from the flat surface of his canvas, and using recurring elements or contrasting harmony of form, he developed new compositions strong in intensity and movement. A section written in collaboration with the Simeti archives closes the publication providing biographical and bibliographical details on personal and collective exhibitions necessary for a deeper understanding of the artist and his work.\u003c\/p\u003e\n\u003cp\u003e“ … Simeti thereby makes his artistic language part of the history of 20th- and 21st-century art, with its defining shift in conceiving the surface, moving from representing two-dimensional surfaces to three-dimensional works with a painted\/sculptural effect … ”\u003c\/p\u003e\n\u003cp\u003eTuri Simeti was born in Alcamo, Trapani, in 1929. He moved to Rome in 1958, where he experienced his first contact with the art world, meeting various artists including Alberto Burri. His artistic style became rapidly recognisable for his use of monochromy and relief effects – the only elements he adopted in his compositions. He began to research the visual and structural aspects of Arte Programmata and New Art Practice art forms. The list of personal and collective exhibitions and installations in public and private spaces is extensive. Particularly interesting is the large anthological personal exhibition organised in August 2010 in the artist’s birthplace, Alcamo. The exhibition was a demonstration of the artist’s strong, long-lasting and unbroken bond with his home region. The most recent showing was the ‘Pianissimo’ exhibition in 2012 at the Mayor Gallery in London, later on show at the Galleria Dep Art in Milan in 2013, followed by another in the Fabbriche Chiaramontane in Agrigento.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743950946503,"sku":"","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/4b341be5-03b1-4251-8586-7ea0f60492ba.jpg?v=1618838087"},{"product_id":"utopia","title":"Utopia","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExhibition catalogue edited by Tornabuoni Art Paris. Texts by Charles Zana and Flavia Frigeri. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eB\/w and colored illustrations, 72 pages, 6,6×9,6 in, English, 2019.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCatalogue of the exhibition held at Tornabuoni Arts in Paris dedicated to the relationship between architects and artists from post-War Italy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is the idea of ​​“Utopia”: highlighting this common writing, this sharing of aspirations peculiar to this blessed period of creation of post-fascist Italy in which art, architecture and design have ceaselessly responded to each other in the same spirit of creative effervescence and philosophical and political questioning.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLucio Fontana, Carlo Mollino, Pier Paolo Calzolari, Andrea Branzi and also Gino Sarfatti, Paolo Scheggi, Carlo Scarpa and Dadamaino, Enrico Castellani and Nanda Vigo, Michele De Lucchi and Alberto Burri: so many artists and works that mirror each other, and question the same vision of time, the same concern for the place of man in the world, the same relationship with the profane and the sacred.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere was a before and an after, with the birth of movements such as Arte Povera, the Radical movement or Alchimia… that blossomed by expanding artistic paradigms.\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":39743974310087,"sku":"","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/ba965d6e-1701-4281-9229-6b4e32a98d51.jpg?v=1618838312"},{"product_id":"carla-accardi-dadamaino-between-sign-and-transparency-entre-signe-et-transparence","title":"Carla Accardi and Dadamaino: Between sign and transparency.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eedited by \u003c\/span\u003e\u003cstrong\u003eMargit Rowell, Jean-Pierre Criqui, Valérie Da Costa, Elizabeth De Bertier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis catalogue for the exhibition at the Tornabuoni Gallery in Paris pays homage to the artists, Carla Accardi and Dadamaino (pseudonym of Edoarda Emilia Maino) through their research into symbols as a new artistic alphabet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThey shared the same desire for total freedom and independence which led them to join various artistic movements, while, at the same time, liberating themselves of all dogmatic structure. They created two unique paths, two distinct artistic languages that share the same strict discipline necessary for any transmission of conceptual experimentation.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis resulted in two distinct bodies of work created in series in which they explored the characteristics and possibilities to be found in painting: colour, line, light and dimension. Women with a strong belief in the importance of art and in social and political involvement, they were active in the militant battles of their time and left an enduring mark in the history of art.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTheir creative journey is wonderfully illustrated through critical analyses and a vast selection of works by these two extraordinary artists, unique figures in the historical and artistic panorama of the latter half of the 20th century.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":40333570474183,"sku":"","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/Captured_ecran2021-06-25a16.00.41.png?v=1624629740"},{"product_id":"arnaldo-pomodoro-1955-65","title":"ARNALDO POMODORO 1955-65","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLuca Massimo Barbero\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChiara Mari\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTornabuoni art returns to the origins of sculptor Arnaldo Pomodoro’s work (1926, Morciano di Romagna), specifically to the years 1955-1965, a pivotal period of the artist’s production. His creations, initially derived from the goldsmithing produced side by side with the brother Gio’ and Giorgio Perfetti, evolves towards small concrete and lead reliefs, then in large mural panels engraved with illegible glyphs, inspired by Mesopotamian tablets’ cuneiform writing, Egyptian papyruses and Paul Klee’s graphic style. In 1960, Pomodoro is among the founders of the group Continuità, next to Novelli, Consagra, Tancredi, Dorazio and Fontana, preaching an “aesthetic of continuity”, defined as “the absence, the incertitude of limit” and attached to the formal aspects of artworks. He thus produces his first Sfere, adopting gilded polished bronze as his preferred material of work, and of which the creation marks the definitive transition to monumental scale of his career.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eToday, Pomodoro’s creations can be found in prestigious museum collections such as the Guggenheim in New York and the Vatican Museums. Moreover, his monumental artworks are exhibited in more than 40 public squares in major cities around the world. The artist lives and works in Milan, Italy.\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":40333609664711,"sku":"","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/Captured_ecran2021-06-25a16.09.11.png?v=1624630358"},{"product_id":"alighiero-boetti-photocopies","title":"Alighiero Boetti - Photocopies","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAlighiero Boetti. Photocopies\u003c\/em\u003e is the volume related to a special project: \u003cem data-mce-fragment=\"1\"\u003eCOLOUR=REALITY. B+W=ABSTRACTION (except zebras) \u003c\/em\u003edeveloped by Hans Ulrich Obrist, artistic director of the Serpentine Gallery in London, and Agata Boetti, director of the Alighiero Boetti Archives, and was on show at the Fondazione Cini in Venice, in conjunction with \u003cem data-mce-fragment=\"1\"\u003eAlighiero Boetti: Minimum\/Maximum\u003c\/em\u003e an exhibition curated by Luca Massimo Barbero.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe project explores Boetti’s strongly dialectic thought process as it revolves around the theme of photocopies.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe volume contains extensive written material, including an introductory essay by Obrist, another by Agata Boetti, a long, previously unpublished conversation between Agata Boetti and Obrist and two critical analyses by Michelle Cotton and Mario Garcia Torres respectively.\u003cbr data-mce-fragment=\"1\"\u003eThe publication also includes the complete reproduction of 111 photocopied images originally bound in an elegant volume with a red cloth cover.\u003cbr data-mce-fragment=\"1\"\u003eThis work combines candid photographs of certain moments of Alighiero’s private life and, at the same time, images of contemporary life and events recovered from newspapers and magazines; it represents a universal selection through its widespread appeal to all sections of the public.\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":40367513796807,"sku":"","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/Captured_ecran2021-06-30a16.36.41.png?v=1625063905"},{"product_id":"alighiero-boetti-minimum-maximum","title":"Alighiero Boetti - Minimum Maximum","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLuca Massimo Barbero\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume forms the catalogue of the exhibition to be held at the Fondazione Cini, in Venice, from May 12 to July 12, 2017. It represents a wonderful unprecedented journey inside the work of Alighiero Boetti.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlighiero Boetti: Minimum\/Maximum\u003c\/em\u003e is the result of an innovative process of selection and comparison between the minimum and maximum formats of works from the artist’s most iconic cycles. It focused on one of the themes that best represent Boetti’s creative process.\u003cbr\u003eThe theme of format is crucial for understanding the way in which Boetti conceived and realised his works, and is directly connected with a concept of time: the notion of the time required to realise an artwork. On a sensorial level, the minimum formats complement the larger works in dialectical opposition, characteristic of Boetti’s creative process.\u003c\/p\u003e\n\u003cp\u003eThe exhibition was gradually developed in a comparison, point by point, between small and large scale, minimum and maximum, allowing the public to absorb and enjoy works from different periods in a single context.\u003c\/p\u003e\n\u003cp\u003eDivided into different sections with over 20 artworks, the exhibition contained Boetti’s most emblematic cycles: \u003cem\u003eRicami\u003c\/em\u003e (embroideries), \u003cem\u003eAerei\u003c\/em\u003e(planes), \u003cem\u003eMappe\u003c\/em\u003e (maps), \u003cem\u003eTutto\u003c\/em\u003e (everything) and \u003cem\u003eBiro\u003c\/em\u003e (works made with a ballpoint pen) – as well as some lesser-known works such as the \u003cem\u003eBollini colorati\u003c\/em\u003e (coloured stickers), \u003cem\u003eStoria Naturale della Moltiplicazione\u003c\/em\u003e (natural history of multiplication) and the \u003cem\u003eCopertine\u003c\/em\u003e (magazine covers). It also provided an opportunity to show works that are largely unknown to the wider public, such as the large-scale work with coloured stickers \u003cem\u003eEstate 70\u003c\/em\u003e (1970) – on loan for this event from the artist’s family – and \u003cem\u003eTitoli\u003c\/em\u003e(1978), one of the largest formats from the rare series of monochrome embroideries. An essay by Luca Massimo Barbero forms the introduction, followed by many contributions by art critics and journalists, experienced experts on Boetti’s work.\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":40367538110663,"sku":"","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/Captured_ecran2021-06-30a16.39.47.png?v=1625064120"},{"product_id":"boom-art-and-industry-in-1960s-italy","title":"BOOM Art and Industry in 1960s Italy","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited by\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eFlavia Frigerio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTornabuoni Art Gallery London presented a digression on the Italian post-war cultural scene, with a particular focus on Milan, Turin and Rome, where the experimentation in the cinema, fine arts, design and architecture creates the famous cultural and economic rebirth known as “il boom”. Masters like Lucio Fontana, Alberto Burri, Tano Festa, Carla Accardi and Pino Pascali responds to this ferment through works with an extraordinary artistic value. The cartalogue edited by Flavia Frigeri helps to understand completely one of the most florid period of our time.\u003c\/p\u003e\n\u003cp\u003eFlavia Frigeri is an Art Historian and Curator, currently Teaching Fellow and PhD candidate in the History of Art department at University College London, where she is completing a thesis on post-war Italian Art. Previously she served as a Curator, International Art and Assistant Curator at Tate Modern. She co-curated (with Jessica Morgan) The World Goes Pop, a reassessment of pop art from a global perspective. Previous projects include Henri Matisse: The Cut-Outs, Paul Klee: Making Visible and Ruins in Reverse. From 2010 to 2011 she was awarded the Solomon R. Guggenheim Foundation’s Hilla Rebay International Fellowship, which involved responsibilities at the Solomon R. Guggenheim Museum, New York; the Guggenheim Museum Bilbao; and the Peggy Guggenheim Collection, Venice.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":40367583166663,"sku":"","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/Captured_ecran2021-06-30a16.47.08.png?v=1625064531"},{"product_id":"lucio-fontana-fine-di-dio","title":"Lucio Fontana Fine di Dio","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etexts by\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEnrico Crispolti, Luca Massimo Barbero, Edward Lucie-Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis publication is composed of two volumes. 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Catalogo Ragionato di sculture, dipinti, ambientazioni\u003c\/em\u003e (Milan, 2006), Luca Massimo Barbero, Associate Curator of the Peggy Guggenheim Collection in Venice and author of\u003cem\u003e Lucio Fontana: Catalogue Raisonné of the Works on Paper \u003c\/em\u003e(Milan, 2014), and renowned art critic Edward Lucie-Smith, as well as exclusive, as yet unpublished contemporary photographs by Ugo Mulas and Lothar Wolleh.\u003cbr\u003eThe essays give great insight into the origins, content and features involved in the works and in the artistic movement that the artist himself referred to as Spazialismo, illustrating the underlying reasons for the growing international interest in Fontana’s work.\u003c\/p\u003e\n\u003cp\u003eThe second one, edited by Enrico Crispolti, is the catalogue published for the exhibition dedicated to the artist at Art Basel 2017, and it is the result of research conducted to provide a deeper understanding of a specific cycle of works by Lucio Fontana. The paintings on show, and analysed in this catalogue, belong to his series \u003cem\u003eThe End of God\u003c\/em\u003e. They were painted on egg-shaped, identically-sized canvases, and feature constellations of “holes” and\/or slashes and\/or scratches, which are sometimes limited to one part of the monochromatic canvas, while others cover the entire surface painted in oils (and sometimes sequins). In an interview with Carlo Cisventi in 1963, the artist explained: “For me, they represent the infinite, the inconceivable, the end of figurative representation, the beginning of nothingness.”\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":40367621177543,"sku":"","price":130.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/Captured_ecran2021-06-30a16.53.30.png?v=1625064974"},{"product_id":"lucio-fontana-fine-di-dio-1","title":"Lucio Fontana, Fine di Dio","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEnrico Crispolti\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis catalogue, published for the exhibition dedicated to the artist at Art Basel 2017, is the result of research conducted to provide a deeper understanding of a specific cycle of works by Lucio Fontana. The paintings on show, and analysed in this catalogue, belong to his series \u003cem\u003eThe End of God\u003c\/em\u003e. They were painted on egg-shaped, identically-sized canvases, and feature constellations of “holes” and\/or slashes and\/or scratches, which are sometimes limited to one part of the monochromatic canvas, while others cover the entire surface painted in oils (and sometimes sequins). In an interview with Carlo Cisventi in 1963, the artist explained: “For me, they represent the infinite, the inconceivable, the end of figurative representation, the beginning of nothingness.”\u003c\/p\u003e\n\u003cp\u003eLucio Fontana is unanimously considered as one of the leading artists in the generation between the 1950s and 1960s who contributed to the radical linguistic and conceptual change in contemporary art. This role was underlined by specialised art critics right from the immediate post-war years, and then confirmed by an increasingly larger number of scholars and art appraisers, and at the same time, formed a fundamental reference point for the new generation of European artists.\u003c\/p\u003e\n\u003cp\u003eEnrico Crispolti, art historian specialized in 19th, 20th and 21st Century works, and militant art critic, curated a large number of showings and exhibitions dedicated to contemporary artistic research. He was Full Professor of History of Contemporary Art at the Faculty of Arts and Letters, at the University of Siena, and Director of the post graduate school for History of Art, also in Siena. He lectured, then became full professor in History of Art at the Fine Arts Academy at the Sapienza University in Rome.\u003c\/p\u003e","brand":"Tornabuoni Art","offers":[{"title":"Default Title","offer_id":40367634251975,"sku":"","price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/8529\/8887\/products\/Captured_ecran2021-06-30a16.57.20.png?v=1625065106"},{"product_id":"lucio-fontana","title":"Lucio Fontana","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTexts by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEnrico Crispolti, Luca Massimo Barbero, Edward Lucie-Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLucio Fontana is universally acknowledged as one of the foremost figures in the generation of artists who, in the 1950s and ‘60s, helped bring about a radical conceptual and linguistic change in contemporary art. The role he played was already being pointed out by specialised critics in the early years of the post-war period, involving a growing number of scholars and admirers, while also constituting a model for the young generation of artists in Europe.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe catalogue, accompanying the exhibition that Tornabuoni Art gallery in London dedicated to Lucio Fontana, is the result of in-depth archival research.\u003cbr data-mce-fragment=\"1\"\u003eIt features texts by Enrico Crispolti, author of \u003cem data-mce-fragment=\"1\"\u003eLucio Fontana. Catalogo Ragionato di sculture, dipinti, ambientazioni\u003c\/em\u003e (Milan, 2006), Luca Massimo Barbero, Associate Curator of the Peggy Guggenheim Collection in Venice and author of \u003cem data-mce-fragment=\"1\"\u003eLucio Fontana: Catalogue Raisonné of the Works on Paper\u003c\/em\u003e(Milan, 2014), and renowned art critic Edward Lucie-Smith, as well as exclusive, as yet unpublished contemporary photographs by Ugo Mulas and Lothar Wolleh.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe essays give great insight into the origins, content and features involved in the works and in the artistic movement that the artist himself referred to as Spazialismo, illustrating the underlying reasons for the growing international interest in Fontana’s work.\u003cbr data-mce-fragment=\"1\"\u003eThe authors have provided important curatorship, with historical reconstructions and critical analyses that bring to bear upon this selection of works the full significance of the targeted research programme.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe idea behind the selection is to document the main cycles of work to which Fontana dedicated the last twenty years of his life, so we find canvases from the \u003cem data-mce-fragment=\"1\"\u003eHoles\u003c\/em\u003e cycle from the opening years of the 1950s, the \u003cem data-mce-fragment=\"1\"\u003eStones\u003c\/em\u003e from 1953-56, the \u003cem data-mce-fragment=\"1\"\u003eBaroques\u003c\/em\u003e from 1956-57, the \u003cem data-mce-fragment=\"1\"\u003eImpastos\u003c\/em\u003e and the \u003cem data-mce-fragment=\"1\"\u003eAnilines\u003c\/em\u003e from the end of the decade. 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In this book, Luigi Sansone, the author of the catalogue raisonée on Scarpitta, deals with one of the most fascinating but also least understood aspects of the creative talent of Salvatore Scarpitta. Through photos from archives, it has been possible to present a far deeper reading of these works, especially in the case of the \u003cem\u003eSal Ardun Special\u003c\/em\u003e model, whose aesthetic form resembled the cars built by Scarpitta in the sixties; however, unlike the previous models, this was no longer a simulation, because for the first time, the artist also equipped the model with a functioning motor.\u003cbr\u003eThe essays included in the catalogue describe the artist and his work with great precision, defining the origin and theoretical context from which these works took form, and how they were developed, exhibited and became recognised by a far-reaching public.\u003c\/p\u003e\n\u003cp\u003eSince his adolescent years, Salvatore Scarpitta (New York, 1919) was able to develop a special passion for car racing and the racing circuit world. He completed his high school studies in Hollywood in 1936, and decided to travel to Italy to study at the Accademia di Belle Arti in Rome, where he graduated in 1940. In 1958, for the first time he showed his extroflexed canvases, together with works based on stretched strips and bands at the Galleria La Tartaruga in Rome. These works brought a strong breeze of originality to the artistic world in Rome and stimulated a large number of Italian and international artists. At the beginning of the Sixties, Scarpitta built two racing cars that he showed in 1965 at the Leo Castelli Gallery. In the summer of 1985, in his studio-garage in Baltimore, Maryland, Scarpitta realised a dream that dated back to his teenage years: he built a perfectly authentic racing car (Dirt Track Racer) which, with the help of Leo Castelli, he took to the dirt track circuits of Maryland and Pennsylvania to compete against the leading champions of the period. 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The letter becomes once again that same object that in the ancient typographical tradition was chiseled in iron and minutely carved in plates, in order to put together, as in a puzzle, the elements created. In this way Benetta carves, creates and welds the iron letters repeating that ancestral manual labor, yet producing some changes: he enlarges and frees it for it to be reformulated. A process that clearly sums up the essence of contemporary art. 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